Monday, June 25, 2012
Among the most commonly used and widely known entheogens in European and American Witchcraft practice are Sabbat Wine and Flying Ointment. These are the two on which we'll focus our attentions in this exploration. (While there are many and varied regional entheogens that have found their way into Craft practice in some form or another, they are just too numerous for me to mention here. Furthermore, I really don't feel qualified to speak on them since I'm very inexperienced with them.)
Wine, just as it is, constitutes a powerful entheogen. The Dying and Resurrected God is embodied int he wine in the form of Dionysos -- and in Jesus, for that matter, whose symbolism and mythology associates him with the wine. Dionysos, though, is the "Twice Born" God of the Vine, and his cup is the offering of ecstasy and madness. "I am the vine," he says, and he offers insight into death and rebirth, despair and joy.
Many Witches drink wine -- either a little or a lot -- as a part of their Sabbat rites no matter what. In American Folkloric Witchcraft, we include Sabbat Wine for two separate and distinct purposes -- and the wine is different depending on that purpose.
If we are celebrating the Housle as we usually do within the regular course of ritual, we will sacrifice a cup of red wine. It is the shed blood of the Red Meal that is the Housle. In this instance, we don't add anything to the wine because we don't need any additional entheogenic effect.
If, however, we are doing trance work, flying out, seiding, or otherwise seeking an altered state of consciousness, we might prepare our special Sabbat Wine (vinum sabbati). We also prepare this Sabbat Wine for initiations. In our case, the vinum sabbati is a local sweet red wine (Oliver Soft Red) in which mugwort and lemongrass have been mulled. After straining the herbs, we add local honey to sweeten the mix and cut the bitterness of the mugwort. Both mugwort and lemongrass have gentle psychoactive properties.
It's interesting to note that the term "vinum sabbati" has actually been associated with flying ointment, or the witches' salve, which is the other major entheogen of witchcraft. In fact, Nigel Jackson said flying ointment was "the black wine of owls."
This greasy, trance-inducing substance was traditionally made of hallucinogenic (and often fatal) herbs that had been boiled in pig fat and then strained. It was called "green salve" or "witches' ointment" and it some of the stock ingredients (solinicaeds) caused a "flying" sensation as the hallucination began -- hence the popular image of the flying witch.
I'm simply not a brave enough woman to fool around with these poisons. So, I looked to some of the other traditional ingredients in the old flying ointments -- the ingredients that wouldn't cause a person to exsanguinate from their skin, for example. (Belladonna does that. It's the key ingredient in rat poison.) Cinquefoil and Balm of Gilead made the cut from the old recipes. Then, I gathered together herbs known for trance and vision work -- many of which I'd already used successfully. Mugwort, Dittany of Crete, lemongrass, clary sage, wormwood, rue.
I use vegetable shortening as the fat, and I add benzoin powder and vitamin E for preservation. None of the last is traditional in any way, but I want it to last and not get funky.
Our coven uses this mix a fair amount. We fly out at just about every Sabbat. Does my blend make you trip? No. Does it help you fly? Oh yeah. Everybody whose used it add reported back has shared positive results. At this point, that's been a fair few people, since we do sell this in our Etsy shop.
Saturday, June 16, 2012
|Castell Dinas Bran|
Mont & Bailey
Top open to the sky
Warriors' Fort (training, defense, offense, strategy)
Not a place of luxury
Guarded by legged creatures (crawlers, walkers)
Home of Cernunnos
Mysteries of Rebirth
The castles of our system are based on Grail Lore, but they also have representations in the none world. These castles are symbolic of the energies inherent in their names and attributed to them by myth and legend. In the Arthurian cycle, the knights journey to seven castles, but most mythographers interpret this imram as an Otherworldly voyage, akin to the shaman's journey into the soul, using the World Tree as a ladder. Robert Graves, in The White Goddess, indicates that each of the seven castles is synonymous with the Spiral Castle, Caer Sidhe (or Caer Arianrhod).
Graves' interpretation makes good sense to us. Each of the castles is so intimately connected in symbolism and meaning, and it is impossible to separate any one of them from gestalt of Caer Sidhe. It is based on this concept that, while we talk about the castles as separate places, we ultimately view them each as a tower or turret on the great Spiral Castle.
The Castle of Stone is the home of Cernunnos, in our system. He is the keeper of the castle and the guardian of its treasure, the Stone Bowl. Cernunnos is honored at Summer Solstice as the Oak King, and the totems present in his time of honor are the Oak, Stag, and Robin.
One of the names of the Castle of Stone is the "4-cornered castle," in Welsh Caer Bannawg. This name became Carbonic or Carbonak later. Graves suggests that this castle is in fact a burial place like a kristvaen (which is formed from four stone slabs that make a stone box). It has also been suggested that "4-cornered" refers to the castle rotating four times, which certainly ties it symbolically to the Spiral Castle.
Carbonak is an important locale in Grail myth, as it is the home of Elaine (the Grail Maiden, wife of Lancelot, and mother of Galahad). It is here that the Grail is revealed in the saga, when Elaine shows it to Lancelot.
|Carmarthen -- a 4-cornered castle|
Carbonak is also heavily associated with ravens and with Bran the Blessed. Corbin, which the castle is called in certain parts of the myth, is the Old French word for "raven." Bran means raven in Welsh and Cornish. An extent hill-fort in Penwith, Cornwall is associated with Carbonak, and it is called Caer Bran. The Brythonic possessive version of this name is Kernowek. Castell Dinas Bran ("Castle of the City of Crows") in Wales is assumed by scholars to be the most likely site of Carbonak, however. Bran is inescapably tied to the Grail mythologies in the sense that he, too, went on a voyage in search of a sacred vessel, The Cauldron of Rebirth. Like the Grail-King, he was pierced by a spear and the land suffered until he was healed. Bran is honored and remembered in the Arthurian cycle as Brons, one of Arthur's knights, the son-in-law of Joseph of Arimehtea (who, of course, is said to have brought the grail -- as cup of Christ -- into Celtic lands).
The Stone Castle is no palace, no place of luxury or entertainment. It is a fortress, a place of training and of siege. It is the Vault of the Mysteries. It is a place of safety, and it is a storehouse. It is a seat of power and is built at a site of strength (or one with protective needs).
Several castles and forts spring to mind when envisioning Caer Bannawg for oneself. The Krak de Chevaliers, for instance, is a wonderful example of a medieval fortress. It is a "Mont & Bailey" castle, and it is practically impenetrable. It is functional and foreboding, and it takes very little manpower to defend it.
Cliffords Tower (in York), the Alamo (San Anotnio, TX), and the Castillo del San Marcos (St. Augustine, FL) are all great examples of the Stone Castle.
|Krak de Chevaliers|
Sunday, June 3, 2012
Here are some of our articles from last June to keep you entertained until we return.
The Oak King:
Faces of the Oak King
Meditation of Visiting the Oak King
You can learn more about our tradition's Wheel of the Year here.