Let's look at these examples, and then, let's look at what the lamed step signifies.
The lame step could be said to originate, as it relates to magic, with the God of the Forge. As Glaux pointed out in her post regarding Witch Blood and Witch Marks, the first being worshiped as a Forge God has been linked to magic. (In his book Masks of Misrule, Nigel Jackson notes his assertion that T'Qayin and Azazel are the same being.) Nearly all Forge Gods were depicted with a lame step or a misshapen leg in antiquity. The mundane reason for this was very likely due to the residual heavy metal poisoning suffered by actual smiths -- or the fact that otherwise strong men who had suffered some crippling childhood disease or injury could still be trained to blacksmith work. Whatever the case, the image of the smith is intimately linked with that of hobbled or ham-strung, yet powerful, man. A man who understands something (and potentially EVERYTHING) related to the alchemical process, and therefore magic. In the case of T'Qayin and Azazel, this image is that of a goat-footed God.
The goat-foot is one variation of lame step, and it is very intimately linked to the forge. That heavy metal poisoning we discussed bunched the muscles of the leg in a way that it pulled the smith's legs and foot up into a position like he was walking on a stiletto heel. Goat-footed God.
The Goose-Footed Goddess
Frau Hulda, Mother Hulda, Holda, Holle, Hel. She rides a goose through the night sky and is a spinner. She is the Dark Grandmother and the White Lady. In our Tradition, she sits in the Castle of Revelry at the Spring Equinox, the balance of light and dark and guards the Golden Lantern.
With her goose-foot, she shows us another aspect of the lame step.
The Lame Step in Nursery Rhymes
My dame has lost her shoe,
My master's lost his fiddle stick
And knows not what to do.
What is my dame to do?
Till master finds his fiddle stick,
she'll dance without her shoe.
Glaux and I love (and I mean LOVE) picking apart nursery rhymes for folkloric Craft clues. We'll have to do some entries dedicated to some of the goodies we've found in them. This one caught our interest on a number of levels. I'll stay away from the bits about how the magister needs his blackthorn staff (the master's fiddle stick) and just point out that the dame is inviting the lame step here. Lots of nursery rhymes feature characters with just one shoe. This forces them to hobble a bit -- like their God, like their Goddess. Here, the dame MUST, but then she goes into it gladly, dancing within the compass.
I can think of three others where characters lose a shoe. In one, the boy goes to bed in his stockings, but missing a shoe. In the second, a girl has lost one of her holiday shoes. In the third, the princess dances out of one of her shoes (and again the fiddler is mentioned). All of these not only point to the lame step, but also to the Witches' Sabbat.
What is the Significance of the Lame Step?
The lame step, we've come to realize, is a marker for those who walk between the worlds. Symbolically, it represents having one foot in consensus reality and one foot in the realms beyond the veil. The lame step is a way of showing that you are between the worlds.
Before we had even made this connection, Glaux and I had decided that the compass would be laid by treading the mill using the lame step.
It has been suggested that the blacksmith was lame, because he had been deliberately hobbled by the local tyrant in order to prevent him selling his services to another tribe. This would have been in the very early days of metalworking when it was an arcane and valuable skill. It's also mentioned in the story of Wayland the Smith, who was hamstrung and kept on an island by an evil king - but got a very thorough revenge.ReplyDelete
In around 2004, Steve Wilson attempted to found a new tradition called Archaic Witchcraft in the UK, and made specific reference to the following rhyme:
Buckle my shoe;
Knock at the door;
Pick up sticks;
Lay them straight:
which he maintained was a reference to witchcraft - an assertion which is borne out by your folkloric delvings into rhyme.