The White Witch
by James Weldon Johnson
O brothers mine, take care! Take care!
The great white witch rides out to-night.
Trust not your prowess nor your strength
Your only safety lies in flight;
For in her glance there is a snare
And in her smile there is a blight
The great white witch you have not seen?
Then,younger brothers mine, for sooth
Like nursery children you have looked
For ancient hag and snaggle-tooth
But no, not so; the witch appears
In all the glowing charms of youth
Her lips are like carnations, red
Her face like new-born lilies, fair
Her eyes like ocean waters, blue,
She moves with subtle grace and air
And all about her head there floats
The golden glory of her hair.
But though she always thus appears
In form of youth and mood of mirth
Unnumbered centuries are hers
The infant planets saw her birth
The child of throbbing Life is she
Twin sister to the greedy earth
And back behind those smiling lips
And down within those laughing eyes
And underneath the soft caress
Of hand and voice and purring sighs
The shadow of the panther lurks
The spirit of the vampire lies
For I have seen the great white witch
And she has led me to her lair
And I have kissed her red, red lips
And cruel face so white and fair
Around me she has twined her arms
And bound me with her yellow hair
I felt those red lips burn and sear
My body like a living coal
Obeyed the power of those eyes
As the needle trembles to the pole
And did not care although I felt
The strength go ebbing from my soul
Oh ! she has seen your strong young limbs
And heard your laughter loud and gay
And in your voices she has caught
The echo of a far-off day
When man was closer to the earth
And she has marked you for her prey
She feels the old Antaean strength
In you, the great dynamic beat
Of primal passions, and she sees
In you the last besieged retreat
Of love relentless, lusty, fierce
Love pain-ecstatic, cruel-sweet
O,brothers mine, take care! Take care!
The great white witch rides out to-night
O,younger brothers mine, beware!
Loo knot upon her beauty bright
For in her glance there is a snare
And in her smile there is a blight.
Showing posts with label Queen of Elphame. Show all posts
Showing posts with label Queen of Elphame. Show all posts
Wednesday, April 18, 2012
Sunday, August 14, 2011
Thomas the Rhymer
Thomas Learmonth (also spelled Learmount, Learmont, or Learmounth), better known as Thomas the Rhymer or True Thomas, was a 13th century Scottish laird and reputed prophet from Earlston (then called "Erceldoune").
Sir Thomas was born in Erceldoune (also spelled Ercildoune - presently Earlston), Berwickshire, sometime in the 13th century, and has a reputation as the author of many prophetic verses. Little is known for certain of his life but two charters from 1260–80 and 1294 mention him, the latter referring to the "Thomas de Ercildounson son and heir of Thome Rymour de Ercildoun". His reputation for supernatural powers for a time rivalled that of Merlin. Thomas became known as "True Thomas" because he could not tell a lie. Popular lore recounts how he prophesied many great events in Scottish history, including the death of Alexander III of Scotland.
Thomas interests us due to a 13th century ballad that was written about him and his time with the Queen of the Fae, who we identify as our own White Goddess. Much can be learned of the ways of the Fairy realm and its queen by examining the lay.
"Now ye must go with me," she said,
"True Thomas, ye must go with me,
And ye must serve me seven years,
Through weal and woe, as chance may be."
She mounted on her milk-white steed,
She's taken True Thomas up behind,
And every time her bridle rung
The steed flew faster than the wind.
"But Thomas, you must hold your tongue,
Whatever you might hear or see,
For if you speak in fair Elfland,
You'll never get back to your own country."
Soon they came to a garden green,
And she pulled an apple from a tree;
"Take this for thy wages, True Thomas,
It will give ye the tongue than can never lie."
"My tongue is my own," True Thomas said,
"A goodly gift ye would give to me!
I'd neither dare to buy or sell,
At fair or tryst where I may be."
"I dare neither speak to prince or lord
Or ask favor from fair lady -"
"Now hold thy peace," the Lady said,
"For as I say, so must it be!"
He has gotten a coat of velvet cloth,
And a pair of shoes of velvet green,
And till seven years were gone and past
True Thomas on earth was never seen.
Sir Thomas was born in Erceldoune (also spelled Ercildoune - presently Earlston), Berwickshire, sometime in the 13th century, and has a reputation as the author of many prophetic verses. Little is known for certain of his life but two charters from 1260–80 and 1294 mention him, the latter referring to the "Thomas de Ercildounson son and heir of Thome Rymour de Ercildoun". His reputation for supernatural powers for a time rivalled that of Merlin. Thomas became known as "True Thomas" because he could not tell a lie. Popular lore recounts how he prophesied many great events in Scottish history, including the death of Alexander III of Scotland.
Thomas interests us due to a 13th century ballad that was written about him and his time with the Queen of the Fae, who we identify as our own White Goddess. Much can be learned of the ways of the Fairy realm and its queen by examining the lay.
Thomas the Rhymer
True Thomas lay on Huntlie bank,
A marvel with his eye spied he.
There he saw a lady bright
Come riding by the Eildon Tree.
A marvel with his eye spied he.
There he saw a lady bright
Come riding by the Eildon Tree.
The Eildon Tree was a sacred hawthorne in the hills of Ercildoun, where Thomas was said to hail from. And the hawthorn is also sometimes known as the fairy bush, for the fey folk are said to inhabit its branches and are its guardians. Sprigs of hawthorn and its flowers were gathered to serve as protection from evil.
Her skirt was of the grass-green silk,
Her mantle of the velvet fine,
At every lock of her horse's mane
Hung fifty silver bells and nine.
True Thomas he pulled off his cap
And bowed down to his knee:
"All hail, thou Queen of Heaven!
For thy peer on earth I never did see."
"O no, O no, Thomas," she said,
"That name does not belong to me;
I am but the queen of fair Elfland
That am hither come to visit thee."
"Sing and play, Thomas," she said
"Sing and play along with me,
And if ye dare to kiss my lips,
Sure of your body I will be."
"Betide me weal, betide me woe,
That fate shall never frighten me."
And he has kissed her rosy lips,
All under the Eildon Tree.
Her mantle of the velvet fine,
At every lock of her horse's mane
Hung fifty silver bells and nine.
True Thomas he pulled off his cap
And bowed down to his knee:
"All hail, thou Queen of Heaven!
For thy peer on earth I never did see."
"O no, O no, Thomas," she said,
"That name does not belong to me;
I am but the queen of fair Elfland
That am hither come to visit thee."
"Sing and play, Thomas," she said
"Sing and play along with me,
And if ye dare to kiss my lips,
Sure of your body I will be."
"Betide me weal, betide me woe,
That fate shall never frighten me."
And he has kissed her rosy lips,
All under the Eildon Tree.
"Now ye must go with me," she said,
"True Thomas, ye must go with me,
And ye must serve me seven years,
Through weal and woe, as chance may be."
She mounted on her milk-white steed,
She's taken True Thomas up behind,
And every time her bridle rung
The steed flew faster than the wind.
The horse is sacred to the White Goddess, as a symbol of sovereignty, and her own horse is white, adorned with silver bells.
O they rode on, and farther on,
The steed went swifter than the wind;
Until they reached a desert wide,
And living land was left behind.
"Lie down, lie down now, True Thomas,
And rest your head upon my knee;
Abide and rest a little space,
And I will show you wonders three."
"O see ye not yon narrow road,
So thick beset with thorns and briars?
That is the path of righteousness,
Though after it but few enquire."
"And see ye not that broad, broad road
That lies across the lily leven?
That is the path of wickedness,
Though some call it the road to heaven."
"And see ye not that lovely road,
That winds about the fern'd hillside?
That is the road to fair Elfland,
Where thou and I this night must ride."
The steed went swifter than the wind;
Until they reached a desert wide,
And living land was left behind.
"Lie down, lie down now, True Thomas,
And rest your head upon my knee;
Abide and rest a little space,
And I will show you wonders three."
"O see ye not yon narrow road,
So thick beset with thorns and briars?
That is the path of righteousness,
Though after it but few enquire."
"And see ye not that broad, broad road
That lies across the lily leven?
That is the path of wickedness,
Though some call it the road to heaven."
"And see ye not that lovely road,
That winds about the fern'd hillside?
That is the road to fair Elfland,
Where thou and I this night must ride."
The three roads are the paths of life itself. One may choose the easy life, which leads to damnation, the austere life, which leads to redemption, or the "middle road" that leads through nature, the path of the Ancient powers, the path that seeks balance, and leads to the Fairy realm.
"But Thomas, you must hold your tongue,
Whatever you might hear or see,
For if you speak in fair Elfland,
You'll never get back to your own country."
Witches are admonished "to keep silent" about the ways of magic if they seek success. Likewise, the world of the fae operates under its own strange laws.
O they road on, and farther on,
And they waded through rivers above the knee,
And they saw neither sun nor moon,
But they heard the roaring of the sea.
It was dark dark night, and there was no sun light,
And they waded through red blood to the knee;
For all the blood that's shed on earth
Runs through the springs of that country.
And they waded through rivers above the knee,
And they saw neither sun nor moon,
But they heard the roaring of the sea.
It was dark dark night, and there was no sun light,
And they waded through red blood to the knee;
For all the blood that's shed on earth
Runs through the springs of that country.
While on the journey to the Fairy land Thomas and the Queen must pass through liminal space. Here it is eternal twilight, though neither sun nor moon is seen. The pair pass through a sea of blood, just as each of the castles of our tradition are bounded by a moat. Indeed, the Castle Perilous is accessed by wading through blood.
Soon they came to a garden green,
And she pulled an apple from a tree;
"Take this for thy wages, True Thomas,
It will give ye the tongue than can never lie."
The apple is another sacred symbol of the White Goddess. Elfland is sometimes equated with the Isle of Apples, Ynys Avalon. The apple is red, symbolic of the food of the dead, and of the Housle.
"My tongue is my own," True Thomas said,
"A goodly gift ye would give to me!
I'd neither dare to buy or sell,
At fair or tryst where I may be."
"I dare neither speak to prince or lord
Or ask favor from fair lady -"
"Now hold thy peace," the Lady said,
"For as I say, so must it be!"
He has gotten a coat of velvet cloth,
And a pair of shoes of velvet green,
And till seven years were gone and past
True Thomas on earth was never seen.
Monday, August 1, 2011
Faces of the White Goddess
Names
Goda, Godiva (Old English: Godgifu, "god gift"), Rhiannon, Epona, Queen of Elphame, Lilith, Weisse Frauen, Dames Blanches, Witte Wieven, Lady Death, Eos, Aurora, Ushas, Ausera, Ausrina, Istara, Ishtar, Astarte, Araja, Arada, Aradia, Irodiada, Erodiade, Meroudys, Herodias, Herodiana, Diana, Eostre, Ostara, Austija, Habonida, Oona, Oonagh, Una, Uonaidh, Mab, Titania, Mielikki, Andred, Benzozia
Station of the Wheel
South, Lammas, August, Gate of Earth, Corn Moon
Totems
Horse, Apple, Swan
Tools
Shield, Pentacle, Kerfane, Warricking Cords
As mistress of the Wild Hunt, she is alternately known as frau Gode, frau Gaue, and frau Woden, demonstrating her connection to Odin. Agricultural customs of the region also preserve relics of pagan religion. When mowing rye, the villagers let some stalks stand, tie flowers among them, and when finished with their work gather around them and shout three times: “Fru Gaue, you keep some fodder, this year on the wagon.” In Prignitz, they call her fru Gode and leave a bunch of grain standing in each field which they call “Fru Gode’s portion.” In the district of Hameln, it was custom, if a reaper while binding sheaves passed over one, to jeer and call out: “Is that for fru Gauen?!” The name Gauen connects this legendary figure directly to Odin. In Old Norse, the fourth day of the week is known as Oðinsdagr, Odin’s day. In Swedish and Danish, it is Onsdag; in North Frisian, Winsdei; in Middle Dutch, Woensdach; in Anglo-Saxon, Wodenes dæg, but in Westphalia, they call it Godenstag, Gonstag, Gaunstag, Gunstag, and in documents from the Lower Rhine, Gudestag and Gudenstag. Similarly, in the History of the Lombards, the first literary appearance of Odin and his wife, Odin is known as Godan. Grimm observes that a dialect which says fauer instead of foer, foder will equally have Gaue for Gode, Guode. Thus, in Frau Gauen or Gauden, German farmers have preserved the memory of a Mrs. Odin at work beside her husband in the fields long after the coming of Christianity.
In the folklore of Lowland Scotland and Northern England, the Queen of Elphame, Elphen, Elfen or Elfan (and also Elfin Queen, Fairy Queen or Faery Queen) is the elfin ruler of Elphame (Elf-home; compare Norse Álfheimr), the usually subterranean Scottish fairyland. She appears in a number of traditional supernatural ballads, including Thomas the Rhymer and Tam Lin. She also appears in a number of accounts from witchcraft trials and confessions, including the confession of Isobel Gowdie.
The Queen of Elphame is variously depicted as attractive and demonic. A similar picture is painted by the 1591 witchcraft confession of Andro Mann of Aberdeen. Mann confessed that he saw "the Devil" his "master in the likeness and shape of a woman, whom thou callest the Queen of Elphen." Mann further confessed that the Queen of Elphen rode white horses, and that she and her companions had human shapes, "yet were as shadows", and that they were "playing and dancing whenever they pleased." Isobel Gowdie's confession also noted that the Queen of Elphame was "brawlie" clothed in white linen, and that she got more food from the Queen than she could eat.
But, in Tam Lin the Queen of Elphame is a more sinister figure. She captures mortal men, and entertains them in her subterranean home; but then uses them to pay a "teind to Hell". This ballad tells of the struggle of its heroine Janet, who must overcome the Queen's shape shifting magic to rescue a would-be victim from the Fairy Ride on Halloween. The Queen's shape-shifting magic extends to her own person. Mann's confession also noted that "she can be old or young as she pleases".
Goda, Godiva (Old English: Godgifu, "god gift"), Rhiannon, Epona, Queen of Elphame, Lilith, Weisse Frauen, Dames Blanches, Witte Wieven, Lady Death, Eos, Aurora, Ushas, Ausera, Ausrina, Istara, Ishtar, Astarte, Araja, Arada, Aradia, Irodiada, Erodiade, Meroudys, Herodias, Herodiana, Diana, Eostre, Ostara, Austija, Habonida, Oona, Oonagh, Una, Uonaidh, Mab, Titania, Mielikki, Andred, Benzozia
Station of the Wheel
South, Lammas, August, Gate of Earth, Corn Moon
Totems
Horse, Apple, Swan
Tools
Shield, Pentacle, Kerfane, Warricking Cords
As mistress of the Wild Hunt, she is alternately known as frau Gode, frau Gaue, and frau Woden, demonstrating her connection to Odin. Agricultural customs of the region also preserve relics of pagan religion. When mowing rye, the villagers let some stalks stand, tie flowers among them, and when finished with their work gather around them and shout three times: “Fru Gaue, you keep some fodder, this year on the wagon.” In Prignitz, they call her fru Gode and leave a bunch of grain standing in each field which they call “Fru Gode’s portion.” In the district of Hameln, it was custom, if a reaper while binding sheaves passed over one, to jeer and call out: “Is that for fru Gauen?!” The name Gauen connects this legendary figure directly to Odin. In Old Norse, the fourth day of the week is known as Oðinsdagr, Odin’s day. In Swedish and Danish, it is Onsdag; in North Frisian, Winsdei; in Middle Dutch, Woensdach; in Anglo-Saxon, Wodenes dæg, but in Westphalia, they call it Godenstag, Gonstag, Gaunstag, Gunstag, and in documents from the Lower Rhine, Gudestag and Gudenstag. Similarly, in the History of the Lombards, the first literary appearance of Odin and his wife, Odin is known as Godan. Grimm observes that a dialect which says fauer instead of foer, foder will equally have Gaue for Gode, Guode. Thus, in Frau Gauen or Gauden, German farmers have preserved the memory of a Mrs. Odin at work beside her husband in the fields long after the coming of Christianity.
In the folklore of Lowland Scotland and Northern England, the Queen of Elphame, Elphen, Elfen or Elfan (and also Elfin Queen, Fairy Queen or Faery Queen) is the elfin ruler of Elphame (Elf-home; compare Norse Álfheimr), the usually subterranean Scottish fairyland. She appears in a number of traditional supernatural ballads, including Thomas the Rhymer and Tam Lin. She also appears in a number of accounts from witchcraft trials and confessions, including the confession of Isobel Gowdie.
The Queen of Elphame is variously depicted as attractive and demonic. A similar picture is painted by the 1591 witchcraft confession of Andro Mann of Aberdeen. Mann confessed that he saw "the Devil" his "master in the likeness and shape of a woman, whom thou callest the Queen of Elphen." Mann further confessed that the Queen of Elphen rode white horses, and that she and her companions had human shapes, "yet were as shadows", and that they were "playing and dancing whenever they pleased." Isobel Gowdie's confession also noted that the Queen of Elphame was "brawlie" clothed in white linen, and that she got more food from the Queen than she could eat.
But, in Tam Lin the Queen of Elphame is a more sinister figure. She captures mortal men, and entertains them in her subterranean home; but then uses them to pay a "teind to Hell". This ballad tells of the struggle of its heroine Janet, who must overcome the Queen's shape shifting magic to rescue a would-be victim from the Fairy Ride on Halloween. The Queen's shape-shifting magic extends to her own person. Mann's confession also noted that "she can be old or young as she pleases".
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