Showing posts with label grail. Show all posts
Showing posts with label grail. Show all posts

Friday, December 28, 2012

The Cauldron


More than the broom, or even the stang, the cauldron is the classic witches’ tool. In classical Greece we find stories of the witch Medea who brewed the elixir of life and death in her cauldron. Across Europe among the Celtic peoples are tales of Cerridwen whose potion of Awen was simmered in her own cauldron for a year and a day, and Bran, whose cauldron would regenerate fallen heroes. The cauldron of Dagda also featured in the celtic myths. His cauldron poured  forth endless food and wealth. It is echoed today in tales of Baba Yaga and Strega Nona  both of whom have special cook pots that are never exhausted of food, provided that the correct magical phrases are uttered over them.

 Even Shakespeare's infamous three witches from his play MacBeth are seen to gather around a cauldron and chant their nefarious rune.
Round about the cauldron go;
In the poisoned entrails throw.—
Toad, that under cold stone,
Days and nights has thirty-one;
Sweltered venom sleeping got,
Boil thou first in the charmed pot!
Double, double toil and trouble;
Fire burn, and cauldron bubble.
Fillet of a fenny snake,
In the cauldron boil and bake!
~William Shakespeare
MacBeth, Act IV, Scene 1

Robert Cochrane writes on the “two words that do not fit in the cauldron” as a mystery of the Craft. The answer to this riddle is “Be Still” for within the cauldron lies all motion, all potential, and all things. It cannot hold stillness, but this too is a mystery. The cauldron is used not just for the brewing of potions, but also as a vessel for scrying in liquid or flame. To accomplish this we must find stillness within the cauldron, by quieting our own minds.

The cauldron is also very similar to the Holy Grail of legend. We must ever seek it and its mysteries, for in it lies true communion with the Gods, and deep healing of our souls. “Who does the Grail serve?” is the riddle traditionally associated with this quest. The Grail serves all who seek it with honest intent, for it is only in not questing for the mystery that it serves no one.
“In fate and the overcoming of fate, lies the true Grail.” ~ Robert Cochrane
In our tradition the Cauldron is associated with the Grail Queen of the Silver Castle -- Castle Perilous -- as Cerridwen-Babalon. We drink deeply of her bloody cup, and rejoice in the coming of the Season of the Witch at the Autumn Equinox.

Tuesday, September 25, 2012

Autumn Equinox 2012 Photos

Autumn Equinox 2012 altar.  At this Sabbat we celebrate the Grail Queen of the Silver Castle -- Castle Perilous -- as Cerridwen-Babalon. We drink deeply of her bloody cup, and rejoice in the coming of the Season of the Witch.

Altar detail.  The lovely stone sphere is Chimera Stone (tm).  The large gold and scarlet chalice is the Cup of Babalon, used each year during the Feast of the Beast at the Babalon Rising Festival.
At the base of the altar are L-R: coven chalices, the Spiral Castle, Tubal Cain & his anvil, coven member totems, salt water, sterile lancets, and our Grimoire.
The Housle Song
To the tune of Greensleeves

To Housle now we walk the wheel
We kill tonight the blood red meal
A leftward tread of magic's mill
To feed the Gods and work our Will.

Red, red is the wine we drink
Red, red are the cords we wear
Red, red is the Blood of God
And red is the shade of the Housle.

Friday, September 2, 2011

Castle Perilous


Water
Southwest
Autumn
Bloody Castle; Grail Chapel
Womb
Cauldron of Cerridwen = Grail = Silver Quaich


The Spiral Castle Tradition situates the Castle Perilous in the Southwest, as the compass is laid. In Arthurian legend, the knight who finds the grail (sometimes identified as Percival, sometimes Galahad, sometimes Lancelot) discovers the sacred cup in castle surrounded by water. This is proper, as the cup’s elemental association is indeed water.

The power of the grail is its association with blood and, therefore, life – and death. Whether we see it as the cup that caught Christ’s blood, the cauldron of transformative Goddess Cerridwen, or the chalice of the great whore Babalon makes no difference. The treasure of Castle Perilous is the same cup, and we drink the same death and rebirth – the same transformations – by whichever name or image we use.

This castle and its images are associated with Chalice Well in Glastonbury. Chalice Well has a long-standing association with grail-lore, and the iron content of the water lends both the flavor and colored tinge of blood as well as the healing properties attributed to the cup/cauldron. Note the similarity in the Chalice Well symbol and our simple symbol for this castle’s treasure (the silver – bloody – cup).

We envision the cup filled with life-giving blood, just as the fertile womb fills each month with blood. So it is that at the Housle (the Red Meal), we fill the two-handled Quaich with red wine. When we cut the throat of the cup and spill its “blood,” and likewise stab and rend the flesh of the dark bread, we more aptly feel the sacrifice that we associate with this castle and cross-quarter.

Both sacrifices are made with the shelg, the red knife. This is the blade of Castle Perilous, the blade of blood and of sacrifice.

Blood and red wine are a potent mixture. They remind us of the Mithraic Mysteries, in which a bull was sacrificed in a subterranean vault. Killing the bull wasn’t the point of the rite, though – collecting its blood was. The blood was mixed with wine and drunk by the initiates. Later, only the wine was drunk, as a representation of the blood of Mithras himself. We see in this blood-letting ritual the foundational element of many sacrificial meals, including our own Housle.

Cerridwen, the keeper and queen of the Castle Perilous, is an appropriate mistress for the mysteries of sacrifice and transformation. Her myth tells how she set the young Gwion to the task of stirring a cauldron of knowledge and wisdom. The brew within was intended for her son, but when three scalding drops landed on Gwion’s hand, he instinctively sucked away the pain – and wisdom. Enraged, a pursuit ensues in which Gwion shapeshifts to escape Cerridwen’s wrath, but she transforms to capture him. When he was a hare, she was a greyhound. Then he was a fish and she an otter. Next, he was a bird, and she was a hawk. Fourth, he changed into a grain of corn, and she transformed into a hen, pecking every grain until she had consumed him. Once she had him, she transformed again to the shape of a woman, and gave birth in nine months’ time to the great bard Taliesin. This last is their fifth and final transformation.

Women’s blood mysteries are best understood within the Castle Perilous, and the rites of passage associated with them have an obvious home here.

The Mystery of the Cauldron mentioned by Robert Cochrane in his letters is also well contemplated in this cross-quarter. Cochrane asks, “What two words will not fit in the cauldron?” In a later letter he answers his own question with the words, “Be still.” (We’ll talk more about this and other Mysteries mentioned in the Letters later.)

Castle Perilous is the entry point into the compass at the time surrounding the Fall Equinox.

Thursday, September 1, 2011

Meditation: Visiting the Silver Queen, Cerridwen

Our tradition uses guided meditation to help impress certain symbols on our member's consciousness. Below is our Autumn Equinox meditation. It takes place in the Castle Perilous, which is the southwest area of our compass.  It is the home of the Silver Queen, who we honor as Cerridwen.  To use this meditation let yourself relax comfortably and picture yourself drifting downward and inward to the third realm, the lower realm. The third realm is a place of darkness and mystery.  Let yourself sink down into the third realm and rest there peacefully.

Meditation: Visiting the Silver Queen, Cerridwen
Artwork by Thalia Took

You awake in a cool thicket at twilight.  You notice that beneath you is a thick clump of ivy, which you haven been using as a bed.  The trees of the thicket are in autumn array.  Their leaves are scarlet, golden, russet, and brown, but seem gray, violet, and black in the fading light of sunset.

You notice that the thicket borders a field of grapes to the west.  In the western sky is a reddish violet glow.  You hear the keen of a hawk cut clearly through the dusk.

You walk into the vineyard, plucking ripe grapes from the vines and eating them.  Although the evening is cool, the grapes have held the warmth of day and their warm tart juice seems like blood in your mouth.

You hear a rough noise from within a stand of grapevine.  Suddenly an enormous boar leaps in front of you.  It snorts violently and bears its tusks.  You turn in fear and try to escape the beast, but you are hedged in by twisted vines and tangling ivy.

The boar charges at you, flinging spittle and rolling its eyes wildly.  Its tusk catches your ankle just above the heel. Your ankle throbs in pain at the gash. The boar flails its head around, tossing you into the air.  You land astride the massive boar and in a panic grab its tusks with your fists.  The boar bucks attempting to toss you from its back, but you are firmly planted.

The boar runs westward with you upon it still clinging to its tusks.  The scent of the beast assaults your nose.  The wound in your ankle is deep.  Blood runs down the side of the boar as it rushes onward towards the setting sun.  The jostling movement of the boar, the pain of your wound, and rapid blood loss make you feel disoriented.

On the horizon you see a dark lake.  The boar continues its frenzied charge into the dark lake.  You are now riding through the lake on the back of the swimming boar.  The lake is warm and dark, like the warm dark blood that flows from your ankle.  It reflects the violet-red of the setting sky above, making it appear to be made of blood.  You realize then that this is no illusion of light. The lake itself is a lake of blood.

The bitter metallic scent of blood fills your nostrils as the boar charges onward towards an island.  On the island is a castle of dark stone.  The castle is embellished with silver and rubies, and from its turrets fly banners of crimson.  As you reach the shore of black sand, you can hear wailing from within the walls of the castle.

The boar stops at the shoreline and gives a loud snort.  You climb off of the boar carefully, nursing your wounded ankle.  The boar regards you for a moment and then rushes back into the lake of blood, leaving you behind on the dark island.  You wonder aloud what place this is, and from the shoreline comes a low and melancholy reply, “This is a place with many names.  Some call it the Grail Chapel. Others call it the Well of Souls.  I call it the Castle Perilous.  It is the home of Queen Cerridwen and her silver cup.”

You turn to see a darkly robed and hooded figure standing in a boat at the shoreline.  The boatman's face is hidden in the shadows of his hood, but he stretches forth a pale bony finger to point at the great doors of the castle.  The doors open slowly with a creaking noise, and the smell of myrrh and moss meets your nose.  You enter the castle and the doors slam shut behind you.

Sounds of dripping cave water and distant wailing fill the air.  You shudder to find that what you thought were rubies studding the walls are actually drops of blood, so that the walls appear to be bleeding.  It is damp and cold here, and the sound of your shuffling feet echo through the dark halls.  Your ankle throbs in pain from the boar's wound.  You are filled with dull and nameless despair, yet you shuffle forward.

At the end of a long dark hall are two large silver doors covered in countless finely sculpted symbols.  Among these you notice a sow and a cauldron.  You move to touch the doors and they swing open at your gesture.

The room inside is bathed in soft silver moon light.  In it you see an aged and beautiful woman with long gray hair.  She is seated on throne of silver and she wears a dress of black.  Her eyes are the color of the stormy sea and she offers you a knowing smile.  To her right is a table with glowing silver cup upon it. The light of the room seems to be coming from this cup.  To her left is a large iron cauldron adorned with a silver ivy and vine design.  “I am called Cerridwen” she says.  Her voice is a deep and rhythmic like the pounding of waves against the shore.  You can taste salt in your mouth when she speaks.  The scent of myrrh and cypress fills your nostrils.  Your entire being is infused with rushing coolness and you feel slightly dizzy.

She nods at you and gestures to the silver cup to her right.  “This is the treasure of Castle Perilous.”  At her words the cup floats from the altar towards you.   It rests against your lips and tips its vintage into your mouth.  You drink deep of its contents.  You can feel the wound in your ankle knitting closed, and all other pains and illnesses being cured and healed within you.  Power seems to vibrate from the base of your spine up through the crown of your head.  You tremble at the sensation of vitality and power that has infused your being.

Cerridwen fixes her gaze upon you and leans forward from her throne.  Her eyes are like sacred wells.  You feel that you may faint from the overwhelming flood of power in and around you. “I have a message for you,” she says.  She takes the cup from your lips and whispers her secret message in your ear. [long pause]

Cerridwen bids you farewell and touches your forehead.  You shiver at the cool dampness of her touch.  The cauldron beside her begins to boil.  You take your leave of the room hastily, disoriented by the power still coursing through you.

The hall is dank and still filled with distant wailing, but you understand now that it is not just the wailing of despair and sacrifice, but also of labor and infancy.  On the black shore the boatman waits with an outstretched bony hand.  You reach into your crane skin bag and retrieve a silver coin.  On its face is the profile of Cerridwen.  On its reverse is a boar leaping from a cauldron.  You place the coin into the boatman's skeletal hand and climb into the boat.

The boatman pushes off and begins to row you back through the dark lake of blood.  A hawk cries out as it circles over the barge. At the shore you can easily find the path that the boar created when it violently carried you off earlier.  You trace the path back through the vineyard and into the autumn thicket where you began.  There in the thicket is the patch of ivy you had made into your bed.  You lay down on the ivy and rest.
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