The Witches’ Creed - Doreen Valiente

The Witches’ Creed 
by Doreen Valiente

Hear now the words of the witches,
The secrets we hid in the night,
When dark was our destiny's pathway,
That now we bring forth into light.

Mysterious water and fire,
The earth and the wide-ranging air,
By hidden quintessence we know them,
And will and keep silent and dare.

The birth and rebirth of all nature,
The passing of winter and spring,
We share with the life universal,
Rejoice in the magical ring.

Four times in the year the Great Sabbat
Returns, and the witches are seen
At Lammas and Candlemas dancing,
On May Eve and old Hallowe'en.

When day-time and night-time are equal,
When sun is at greatest and least,
The four Lesser Sabbats are summoned,
And Witches gather in feast.

Thirteen silver moons in a year are,
Thirteen is the coven's array.
Thirteen times at Esbat make merry,
For each golden year and a day.

The power that was passed down the age,
Each time between woman and man,
Each century unto the other,
Ere time and the ages began.

When drawn is the magical circle,
By sword or athame of power,
Its compass between two worlds lies,
In land of the shades for that hour.
This world has no right then to know it.

And world of beyond will tell naught.
The oldest of Gods are invoked there,
The Great Work of magic is wrought.

For the two are mystical pillars,
That stand at the gate of the shrine,
And two are the powers of nature,
The forms and the forces divine.

The dark and the light in succession,
The opposites each unto each,
Shown forth as a God and a Goddess:
Of this our ancestors teach.

By night he's the wild winds rider,
The Horn'd One, the Lord of the Shades.
By day he's the King of the Woodland,
The dweller in green forest glades.

She is youthful or old as she pleases,
She sails the torn clouds in her barque,
The bright silver lady of midnight,
The crone who weaves spells in the dark.

The master and mistress of magic,
That dwell in the deeps of the mind,
Immortal and ever-renewing,
With power to free or to bind.

So drink the good wine to the Old Gods,
And Dance and make love in their praise,
Till Elphame's fair land shall receive us
In peace at the end of our days.

The Witches' Ballad - Doreen Valiente

The Witches' Ballad 

Doreen Valiente

Oh, I have been beyond the town
Where nightshade black and mandrake grow
And I have heard and I have seen
What righteous folk would fear to know!
For I have heard, at still midnight
Upon the hilltop far, forlorn
With note that echoed through the dark
The winding of the heathen horn
And I have seen the fire aglow
And glinting from the magic sword
And with the inner eye beheld
The Hornid One, the Sabbat's lord
We drank the wine, and broke the bread
And ate it in the Old One's name
We linked our hands to make the ring
And laughed and leaped the Sabbat game
Oh, little do the townsfolk reck
When dull they lie within their bed!
Beyond the streets, beneath the stars
A merry round the witches tread!
And round and round the circle spun
Until the gates swung wide ajar
That bar the boundaries of earth
From faery realms that shine afar
Oh, I have been and I have seen
In magic worlds of Otherwhere
For all this world may praise or blame
For ban or blessing naught I care
For I have been beyond the town
Where meadowsweet and roses grow
And there such music did I hear
As worldly-righteous never know

Invocation of the Circle: Doreen Valiente

Doreen Valiente

By stang and cauldron, cup and knife,
By right of office that I hold,
Ye ancient powers of death and life,
Forgather to the circle's fold.

Kinship to kinship, blood to blood,
By wild night wind and starry sky,
By heathland brown and darkling wood,
To this our circle now draw nigh.

In likeness of a henge of stone,
Stand guard around this circle's rim,
While looming through the dark alone,
Stands in the east the Hele-stone dim.

I summon forth the fairy hounds,
Sharp-fanged, white-coated, red of ear,
To prowl beyond the circle's bounds,
And put intruders' hearts in fear.

Ancestral powers of this our blood,
We are your people, guard us well,
By earth and air, by fire and flood,
By magic mime and spoken spell.

Our craft's own Goddess I invoke,
And Ancient Ones of hill and mound.
With fire aflame and drifting smoke,
I dedicate this circle's bound.

By three times three,
Thus shall it be!

~Doreen Valiente, Witchcraft: a Tradition Renewed

This rhyme was specifically created for the Tradition of Craft that Evan John Jones outlines in his book Witchcraft: a Tradition Renewed.  Thus, it calls for officers of the quarters "By right of office that I hold" and calls forth a henge of stone to guard the boundaries of the circle.  Our tradition is similar in that we call forth the Sacred Grove of totemic trees of the Wheel of the Year when performing a full casting.

I personally love the verse about the Gabriel ratchets guarding the circle.  This is easily my favorite chant for setting wards.

EJ Jones had Doreen write a second Circle Invocation for his book (he knew a good thing when he had it!) beginning: "By magic staff and flame of fire-light; Eldest of Gods, we call on ye anew!"  Witchcraft: a Tradition Renewed is worth a read if you would like to see how the Craft of Cochrane continued to develop.  It has influenced modern practitioners of Cochranian Craft, and contains many gems of liturgy, including Doreen's poetry and Bill Gray's lovely and useful Sangreal Prayer.

Witch Ethics, Ardanes and the Rede

I (Laurelei) was trained in a variation of Cochranite Craft, and we had no Ardanes (Witch Laws). Nor did we give oath to the Wiccan Rede. We did, however, expect each member of our Clan to spend time developing a personal statement of ethics that reflected his/her own moral convictions. The statement was not so much a codified set of rules, but an understanding that one has with oneself regarding what is right and wrong. Having looked deeply into that well, woe be unto the Witch who does not hold to her own moral standards!

The Craft (in its truest sense) does not offer a moral guidepost. It is a system of magic, a way of reaching out to the Unseen World and being more closely a part of it. The Black Goddess, White Goddess, Tubal Qayin -- do not look to them for your moral compass, for they are Nature's Compass, Magic's Compass. They are Powers, neither "male-" nor "bene-" (bad, good).

You are responsible and accountable to yourself, your family, your cuveen/clan, your community, your country and your world. How you keep yourself on your path is up to you.

That being said, as a piece of Craft Lore (and even as a starting place in thinking about your own ethics), it is interesting to look at the Ardanes and the Rede. Bear in mind that these pieces are modern constructs with occasional bits of arcana thrown into the mix. Some of the advice here -- for we can only truly consider it advice and not Law -- is worth a look. Other pieces seem very out of keeping with the Craft as we know it.

The Ardanes

The Ardanes or Ordains first appeared in Craft documentation in 1957, when Gerald Gardner presented them to his coven after a disagreement about his own interactions with the media while insisting on secrecy within the coven. No known record of them in any older documentation exists prior to that date. While it is possible that he received them from his own initiator and teacher, the mix of archaic and modern phrasing in the Ardanes would suggest that they were created at that time.

Doreen Valiente, among others, was suspicious of these Laws which (unsurprisingly) eventually led to her ousting from the coven by Gardner.

These Laws have had several iterations, and they vary amongst covens/Traditions who hold to them. Some are anachronistic, misogynistic, or oddly Christo-centric. A fairly close copy of the original Gardnerian Ardanes exists here.

The Rede

Many, if not most, Witchcraft traditions use the Wiccan Rede as the foundation of their code of ethics. The first published form of the Wiccan Rede is a couplet that appeared in 1964 by Doreen Valiente: “Eight words the Wiccan Rede fulfill, An it harm none, Do what ye will.” Rede is a Middle English word meaning “advice or council,” while, in this case, an is an archaic conjunction meaning “if.” Other versions, including much longer poems, have been written since then, but this is the basic tenant of Wiccan ethics.

Much exegesis has been written on this topic, and debates are continually waged within the Wiccan and Witchcraft communities over the exact meaning and execution of these few words. On the one hand, the Rede seems simple enough. It is a mandate to do no harm, much like the Golden Rule or the Hippocratic Oath. On the other hand, words like “harm” and “will” can be seen as vague or amorphous to members of disparate traditions. Is “harm” the same or different than “hurt?” What about “will” and “want?” Or is “will” closer to True Will?

Then there’s the question of self-defense. Is it ever okay to harm someone if they’re attacking you? A common psychic shielding technique involves mirroring negative energy back to its sender. If this causes harm, have you violated the Rede? The logic for any of these questions can get rather circular as you ponder them, and if you follow a debate of this sort online, it will often do just that.

Some traditions use other similar creeds (but with different implications) as the basis of their moral and ethical codes. One prominent standard, though not Craft in origin, is the Law of Thelema which says, “Do what thou will shall be the whole of the law. Love is the law; love under will.” Aleister Crowley wrote these words in 1904, inspired in part by the writings of Francois Rabelais in 1543. Rabelais had said, “DO AS THOU WILT,” because men who are free are inclined to virtue and disinclined to vice. Here, we are absolutely talking about doing one’s True Will and not simply doing the whim of the moment.

Ultimately, we encourage you to pursue a line of *independent* thought regarding ethics and a Code. In other words: know what YOU believe to be ethical behavior and hold to it. Remember that ethics and morals are not really about being held accountable to a power higher than yourself. If you believe an action is wrong, and you proceed in doing it, you will
pay a price for doing it.

The Witches Rune

Doreen Valiente (Ameth, 3*) and
Patricia Crowther (Thelema, 3*)

The Witches' Rune
by Doreen Valiente

    Darksome night and shining moon,
    Hearken to the witches' rune.
    East, then south, west then north,
    I come here to call thee forth.
    Earth and water, air and fire,
    Work ye unto my desire.
    Wand and Pentacle, Cup and Sword,
    Hearken ye unto my word.
    Cords and Censer, Scourge and Knife,
    Waken all ye into life.
    Powers of the Witches Blade,
    Come ye as the charm is made.
    Queen of Heaven, Queen of Hell,
    Lend your aid unto the spell.
    Horned Hunter of the Night,
    Work my will by Magick rite.
    By all the power of land and sea,
    As I do will, so mote it be.
    By all the might of moon and sun,
    Chant the spell and be it done.

The Witches' Rune
(Alt. Version)

    Come ye as the charm is made!
    Queen of heaven, Queen of hell,
    Horned Hunter of the night
    Lend your power unto the spell,
    And work our will by Magick rite!
    By all the power of land and sea,
    By all the might of moon and sun
    I call the Earth to bind my spell.
    Air to speed it well.
    Bright as Fire shall it glow.
    Deep as tide of Water flow.
    Count the elements fourfold,
    In the fifth the spell shall hold.

The Charge of the Goddess

The Charge of the Goddess interests us both because it is a beautiful piece of Pagan liturgy, and it celebrates the many faces of the White Goddess: Queen of the Fey, Lady of Sovereignty, Moon-Maiden, Mistress of the Gate of Earth.

The original prose Charge of the Goddess was written by Gerald Gardner, compiled from several different sources, including a similar passage found in Aradia, Gospel of the Witches, compiled by Charles Leland, and a portion of the Gnostic Mass of the Ecclesiæ Gnosticæ Catholicæ written by Aleister Crowley. Each of these pieces are included below for comparison.

The Original Charge
from G.B. Gardner's Book of Shadows; also titled Lift Up the Veil

Magus: "Listen to the words of the Great mother, who of old was also called among men Artemis, Astarte, Dione, Melusine, Aphrodite, Cerridwen, Diana, Arianrhod, Bride, and by many other names."

High Priestess: "At mine Altars the youth of Lacedaemon in Sparta made due sacrifice. Whenever ye have need of anything, once in the month, and better it be when the moon is full, ye shall assemble in some secret place and adore the spirit of Me who am Queen of all Witcheries and magics. There ye shall assemble, ye who are fain to learn all sorcery, yet have not won its deepest secrets. To these will I teach things that are yet unknown. And ye shall be free from slavery, and as a sign that ye be really free, ye shall be naked in your rites, both men and women, and ye shall dance, sing, feast, make music, and love, all in my praise. There is a Secret Door that I have made to establish the way to taste even on earth the elixir of immortality. Say, 'Let ecstasy be mine, and joy on earth even to me, To Me,' For I am a gracious Goddess. I give unimaginable joys on earth, certainty, not faith, while in life! And upon death, peace unutterable, rest, and ecstasy, nor do I demand aught in sacrifice."

Magus: "Hear ye the words of the Star Goddess."

High Priestess: "I love you: I yearn for you: pale or purple, veiled or voluptuous. I who am all pleasure, and purple and drunkenness of the innermost senses, desire you. Put on the wings, arouse the coiled splendor within you. Come unto me, for I am the flame that burns in the heart of every man, and the core of every Star. Let it be your inmost divine self who art lost in the constant rapture of infinite joy. Let the rituals be rightly performed with joy and beauty. Remember that all acts of love and pleasure are my rituals. So let there be beauty and strength, leaping laughter, force and fire by within you. And if thou sayest, 'I have journeyed unto thee, and it availed me not,' rather shalt thou say, 'I called upon thee, and I waited patiently, and Lo, thou wast with me from the beginning,' for they that ever desired me shall ever attain me, even to the end of all desire.

Aradia's Speech to Her Pupils
From Aradia the Gospel of the Witches, Chapter I: How Diana Gave Birth to Aradia

    When I shall have departed from this world,
    Whenever ye have need of anything,
    Once in the month, and when the moon is full,
    Ye shall assemble in some desert place,
    Or in a forest all together join
    To adore the potent spirit of your queen,
    My mother, great Diana. She who fain
    Would learn all sorcery yet has not won
    Its deepest secrets, them my mother will
    Teach her, in truth all things as yet unknown.
    And ye shall all be freed from slavery,
    And so ye shall be free in everything;
    And as the sign that ye are truly free,
    Ye shall be naked in your rites, both men
    And women also: this shall last until
    The last of your oppressors shall be dead;
    And ye shall make the game of Benevento,
    Extinguishing the lights, and after that
    Shall hold your supper thus...

The Priestess's Speech from the Gnostic Mass
by Aleister Crowley

The Gnostic Mass serves as the central ritual of the Ecclesiæ Gnosticæ Catholicæ, which is the eccesiastical arm of the more well known Ordo Templi Orientis. The Gnostic Mass contains a section which influenced Gardner's version of the Charge of the Goddess. Gardner is known to have been an initate of the Ordo Templi Orientis, and had met with Crowley on several occasions. It is clear that both the Great Rite and "Lift Up the Veil" are obviously based on the Gnostic Mass. Although not direct plagarism, the similarities between the two documents are striking. The "Priestess's Speech " (for lack of a better term) of the Gnostic Mass is included below for comparison to Gardner's original Charge. The Priestess's Speech is an echo of the Goddess Nuit's speech from Liber AL vel Legis, or "The Book of the Law", Chapter I, Verse 61.

    To love me is better than all things.
    if under the night-stars in the desert thou presently burnest mine incense before me,
    invoking me with a pure heart, and the serpent flame therein,
    thou shalt come a little to lie in my bosom.
    For one kiss wilt thou then be willing to give all,
    but whoso gives one particle of dust shall lose all in that hour.
    Ye shall gather goods and store of women and spices
    ye shall wear rich jewels
    ye shall exceed the nations of the earth in splendour and pride
    but always in the love of me, and so shall ye come to my joy.
    I charge you earnestly to come before me in a single robe,
    and covered with a rich head-dress.
    I love you!
    I yearn to you!
    Pale or purple, veiled or voluptuous,
    I who am all pleasure and purple, and drunkenness of the innermost sense, desire you.
    Put on the wings, and arouse the coiled splendour within you:
    Come Unto Me!
    To me! To me!
    Sing the raptuous love-song unto me!
    Burn to me perfumes!
    Wear to me jewels!
    Drink to me, for I love you!
    I love you.
    I am the blue-lidded daughter of sunset
    I am the naked brilliance of the voluptuous night-sky.
    To me! To me!

The Common Prose Charge
by Doreen Valiente

The current, and most famous version of the Charge of the Goddess was written by Doreen Valiente for Gerald Gardner. Valiente's version removes most of the influence of Crowley's Mass in favor of more nature-influenced imagery. This version of the Charge of the Goddess has become accepted as the most popular piece of Neopagan liturgy today.

    Introduction spoken by the High Priest:

    Listen to the words of the Great Mother, who was of old also called amongst men Artemis, Astarte, Diana, Melusine, Aphrodite, Cerridwen, Dana, Arianrhod, Isis, Bride and by many other names.

    The Charge of Great Mother spoken by the High Priestess:

    At my altars, the youth of most distant ages gave love, and made due sacrifice. Whenever you have need of anything, once in a month, and better it be when the Moon is full, then shall you gather in some secret place and adore the spirit of Me, who am Queen of all Witcheries.

    There shall you assemble ye who are fain to learn all sorcery, yet have not won its deepest secrets; to these will I teach things that are yet unknown. And you shall be free from slavery, and as a sign that you be really free you shall be naked in your rites. And you shall dance, sing, feast, make music and love all in my praise; for mine is the ecstasy of the spirit, and mine also is joy on Earth, for my law is love unto all beings.

    Keep pure your highest ideal, strive ever towards it; let naught stop you or turn you aside, for mine is the secret door which opens upon the door of youth. And mine is the cup of the wine of life and the Cauldron of Cerridwen, which is the Holy Grail of Immortality.

    I am the gracious Goddess who gives the gift of joy unto the heart of man, upon Earth I give knowledge of the Spirit eternal, and beyond death I give peace and freedom and reunion with those who have gone before; nor do I demand sacrifice, for behold I am the Mother of all living, and my love is poured out upon the Earth.
    Interlude spoken by the High Priest:

    Hear ye the words of the Star Goddess. She in the dust of whose feet are the hosts of Heaven, whose body encircles the universe.

    The Charge of the Star Goddess spoken by the High Priestess:

    I who am beauty of the green Earth and the white Moon amongst the stars. And the mystery of the waters, and the desire of the heart of man, call unto thy soul. Arise and come unto me, for I am the souls of Nature who gives life to the universe.

    From me all things proceed, and unto me all things must return. And before my face, beloved of Gods and men, thine inmost divine self shall be enfolded in the rapture of the infinite.

    Let my worship be with the heart that rejoices, for behold, all acts of love and pleasure are my rituals. And therefore let there be beauty and strength, power and compassion, honor and humility, mirth and reverence within you.

    And you who thinks to seek for me, know thy seeking and yearning shall avail you not, unless you know the mystery, that if that which you seek you find not within thee, you will never find it without thee. Behold I have been with you from the beginning and I am that which is attained at the end of desire.

The Verse Charge
by Doreen Valiente

Although Valiente's Prose Charge has become the most popular accepted version in modern Wicca Doreen stated that her personal favorite version of the Charge was a poem she wrote in rhyming couplets. Doreen had a gift for poetry, as is evidenced in much of her writing, and she also held the belief that speaking words in rhyme was an effective way to raise power.

    I the Mother, darksome and divine, Say to thee, Oh children mine (All ye assembled at mine Shrine), Mine the scourge and mine the kiss The five-point star of love and bliss Here I charge ye in this sign.

    All ye assembled here tonight Bow before my spirit bright Aphrodite, Arianrhod, Lover of the Horned God, Mighty Queen of Witchery and night

    Astarte, Hecate, Ashtaroth, Dione, (Morrigan, Etain, Nisene), Diana, Brigid, Melusine, Am I named of old by men, Artemis and Cerridwen, Hell's dark mistress, Heaven's Queen.

    (Whene'er trouble comes anoon) All who would learn of me a Rune Or would ask of me a boon, Meet ye in some secret glade Dance my round in greenwood shade, by the light of the full moon.

    (In a place wild and lone) With the comrades alone Dance about my altar stone. Work my holy Magistry,Ye who are fain of sorcery, I bring ye secrets yet unknown.

    (Whate'er troubles come to thee), No more shall ye know slavery Who give due worship unto me, Who tread my round on Sabbat-night. Come ye all naked to the rite, In token ye be truly free.

    I teach the mystery of rebirth, Keep ye my mysteries in mirth Heart joined to heart, and lip to lip, Five are the points of fellowship That bring ye ecstasy on Earth.

    I ask no offerings, do but bow, No other law but love I know, By naught but love I may be known, All that liveth is mine own From me they come, to me they go.

The Witch's Library

I'm a librarian by trade, so surely you knew this post was coming eventually.

There are hundreds of books about witchcraft available on the market today, and it can be difficult to sort out the useful works from the tripe!  Complied below is a list that I personally recommend for beginning witches, or those looking to expand their knowledge of Craft.  This is by no means a complete list, as I can only recommend those books which I myself have read and gleaned some good from.  Please add your own suggestions in the comments.

Books Central to Our Tradition
These writings are recommended to anyone who seeks to practice AFW.

The White Goddess: A Historical Grammar of Poetic Myth by Robert Graves
Call of the Horned Piper & Masks of Misrule by Nigel Jackson
The Writings of Roy Bowers (Robert Cochrane)
The Real Mother Goose by Blanche Wright

Trad Craft Basics
These books will give you a good introduction to Traditional Witchcraft practices.

The Roebuck in the Thicket by Evan John Jones & Robert Cochrane, editor Mike Howard
Witchcraft: a Tradition Renewed by Doreen Valiente and Evan John Jones
The Forge of Tubal Cain by Ann Finnin
Grimore for Modern Cunning Folk by Peter Paddon
The Witching Way of Hollow Hill by Robin Artisson

General Witchcraft
These books, combined with a few others from each section will give you an excellent foundation in Craft.

Mastering Witchcraft: A Practical Guide for Witches, Warlocks & Covens by Paul Huson
The Rebirth of Witchcraft, Witchcraft for Tomorrow, & Natural Magic by Doreen Valiente
Witches All by Elizabeth Pepper
Witchcraft: a Mystery Tradition by Raven Grimassi
Wheel of the Year by Pauline Campanelli
Courting the Lady: A Wiccan Journey, Book One: The Sacred Path by Patrick M. McCollum

Wiccan Classics
These books are unabashedly Wiccan, in the sense that they can trace their way back to the practices of Gerald Gardner.

High Magic’s Aid, Witchcraft Today, & The Meaning of Witchcraft by Gerald Gardner
The Witches' Way, Eight Sabbats for Witches (available collected as A Witches' Bible), The Witches' God, & The Witches' Goddess by Janet & Stewart Farrar

Craft History
Many of these books were inspiration for the modern Craft movement.

The Triumph of the Moon-A History of Modern Pagan Witchcraft & Stations of the Sun by Ronald Hutton
Aradia or the Gospel of the Witches of Italy by Charles G. Leland (Pazzaglini Translation)
The Golden Bough by James George Frazer
Gods of the Greeks by Karl Kerenyi
The God of the Witches by Margaret Alice Murray
Ecstasies: Deciphering the Witches' Sabbath by Carlo Ginzburg and Raymond Rosenthal

Totemic Information
If you want to know more about the totems of our tradition these are a great place to start your research.

Tree Wisdom: The Definitive Guidebook to the Myth, Folklore, and Healing Power of Trees by Jacqueline Memory Paterson
The Celtic Tree Oracle: A System of Divination by Colin Murray, Liz Murray and Vanessa Card
Druid Animal Oracle by Philip Carr-Gomm, Stephanie Carr-Gomm and Bill Worthington
Sacred Mask Sacred Dance by Evan John Jones and Chas Clifton
Animal Speak by Ted Andrews

Spellcraft
When you want to work magic this is where you should start.

Cunningham's Encyclopedia of Magical Herbs & Book of Incense Oils and Brews by Scott Cunningham
The Element Encyclopedia of Witchcraft & The Element Encyclopedia 5000 Spells by Judika Illes
A Century of Spells by Draja Mickaharic

I also suggest you explore these trad-craft reading lists to inspire further book lust:
Probus Lecto: a Clan of Tubal Cain reading list
The Witch of Forest Grove's suggested reading list (Sarah Lawless also writes Pagan Bookworm, a witchy book-lover's blog)
The Ancient Keltic Church's reading list
Traditional Witchcraft Research Network reading list
The House Shadow Drake reading list
The White Dragon recommended reading list