Showing posts with label beltane. Show all posts
Showing posts with label beltane. Show all posts

Friday, May 4, 2012

Meditation: Visiting the Red God, Qayin, at Beltaine

Our tradition uses guided meditation to help impress certain symbols on our members' consciousness. Below is our Beltaine meditation. It takes place at the Eastern Gate of the compass, the place of fire and sunrise.  It is the home of the Witch Father, whom we know as Tubal Qayin, Lucifer, Azazel, Melek Taus. To use this meditation let yourself relax comfortably and picture yourself drifting downward and inward to the third realm, the lower realm. The third realm is a place of darkness and mystery.  Let yourself sink down into the third realm and rest there peacefully.


Meditation: Visiting the Red God, Qayin

You awake in a broad, newly plowed field just before sunrise. The world to the West is still dark, murky and sleepy-looking, while to your East a fiery sun is beginning to rise on the pale lanscape. The chill of an early spring morning clings to you. The soil beneath you is rich and dark, marked in deep furrows from the plow. The fertile, damp smell of the land fills your nose as you breathe deeply and begin walking toward the East, toward the growing light.

A fence with a gate is ahead of you across the field, and you can hear the lowing of cattle now. As you get closer, you can see the shapes of the cows becoming clearer. You open the gate and cross into the grassy pasture where the cows graze and move lazily. They watch you intermittently as you continue across their field. One of the cattle watches you intensely, but it is no cow. This bull shifts his weight impatiently while keeping his gaze fixed on you. You continue your path across the field, hurrying as the sun continues to rise, and light and heat start perking up the countryside.

A hedge of dense, knotted Hawthorn trees spreads along the next fence, and you spot the gate in its midst. You cross through the old farm gate as you take notice of the trees. Their bright white blooms and long thorns both welcome and warn.

In the glinting light of the sunrise, you see bees bobbing and buzzing along the Hawthorns. You watch them dance as they work. One lands lightly on your hand, and you know that it has no intention of stinging you. Raising your hand to eye level, you look at the tiny creature for a moment. Its feet tickle your hand, making your skin twitch, and it flies away to the East, where you lose sight of it in the now bright sunrise.

Looking along the landscape in the direction that the bee flew, you see a mound of earth. As you focus your attention on it, you’re certain you hear a clinking sound, as well. Curious, you continue your eastward path until you find yourself standing in front of a small hill with a stony cave door. Strange markings have been carved and painted onto the stones around the mouth of the cave and you take a moment to look at them.

You’re certain now that the sounds you heard came from within the cave, and you can see the glow of firelight coming from deep within. The wet, mustiness of the cave’s scent is mixed with the smell of burning coals, here.

The cave path is smooth and descends slightly as it curves naturally to the left. The sounds have grown distinctly louder since you first heard them. No longer a vague clinking, you now hear the rhythmic beating of metal against metal – tap, tap, bang; tap, tap, bang. The cave is both hot and bright here, and as you round the last corner, you see a large chamber filled with both the glinting metal of finished projects and the carbon-blackened metal of work waiting to be done. Plowshares and picthforks lean against one wall, accompanied by spears and swords. In a far corner, you see the glint of gold and silver wrought into fine filigrees and tooled with delicate markings. You also see pieces of unshaped, untouched metal, dull but full of potential

A fire in a ringed enclosure dominates the middle of the room, and a large man is silhouetted by its flame. His skin looks burnished from the heat and soot, and you watch as his powerful form easily handles the bellows, the large hammer upon the massive anvil.

His eyes glint as he sees you, and he holds you in a piercing stare, though he doesn’t stop his movement and work. Tap, tap, bang; tap, tap, bang. You notice the metal in his hands and you recognize what he is making. He places the object back into the forge fire, allowing it to regain a red-hot glow before removing it again.  Tap, tap, bang.

Still working, he speaks to you. “The forge of the Witch Father holds much magic and mystery. This is a place of transformation, of alchemy, of great power.”

He beckons you toward him and places your hand upon the anvil. It is very hot, but it doesn’t burn you. Holding your hand upon the anvil with his own, he looks into your eyes and speaks a message only for you.

You thank him, and after a moment more of looking at you, he resumes his work. Knowing that the time has come to leave, you turn and walk back up the cave path, curving on a right-hand path now toward the fresh air and daylight.

You pass again by the bees, busy in the Hawthorns, and by the cattle in their pasture. Returning to the plowed field, you take a moment before sitting down in the rich soil. You close your eyes and breathe deeply, coming back to yourself.

Saturday, April 21, 2012

Beltane

(Bel-taine)
Also: May Day, Walpurgis, Roodmas

Beltane, celebrated at the peak of spring around early May, is one of the four main fire festivals native to Celtic culture. The other festivals, commonly referred to in Neopaganism as the "Greater Sabbats" are Imbolc, at the peak of winter, Lammas, at the peak of summer, and Samhain at the peak of autumn. Beltane is usually celebrated on May 1st and the night prior to it, although some celebrate the festival on its alternate date, astrologically determined by the sun's reaching 15-degrees Taurus.

Origins of Beltane

In Irish mythology, the beginning of the summer season for the Tuatha Dé Danann and the Milesians started at Bealtaine. Great bonfires would mark a time of purification and transition, heralding in the season in the hope of a good harvest later in the year, and were accompanied with ritual acts to protect the people from any harm by Otherworldly spirits, such as the Aos Sí. Like the festival of Samhain, opposite Beltane on 31 October Beltane was also a time when the Otherworld was seen as particularly close at hand. Excavations at Uisnech in the 20th century provided evidence of large fires taking place.

Etymology

In Irish Gaelic, the month of May is known as Mí Bhealtaine or Bealtaine, and the festival as Lá Bealtaine ('day of Bealtaine' or, 'May Day').

Since the early 20th century it has been commonly accepted that Old Irish Bel(l)taine is derived from a Common Celtic *belo-te(p)niâ, meaning "bright fire" (where the element *belo- might be cognate with the English word bale [as in 'bale-fire'] meaning 'white' or 'shining'; compare Anglo-Saxon bael, and Lithuanian/Latvian baltas/balts, found in the name of the Baltic; in Slavic languages byelo or beloye also means 'white', as in Беларусь (White Russia or Belarus) or Бе́лое мо́ре [White Sea]). A more recent etymology by Xavier Delamarre would derive it from a Common Celtic *Beltinijā, cognate with the name of the Lithuanian goddess of death Giltinė, the root of both being Proto-Indo-European *gʷelH- "suffering, death".

In middle Europe, May 1st is celebrated as Walpurgisnacht, named after the English missionary Saint Walburga. As Walburga was canonized on 1st of May, she became associated with May Day, especially in the Finnish and Swedish calendars. The eve of May day, traditionally celebrated with dancing, came to be known as Walpurgisnacht ("Walpurga's night").

Themes

Fertility is the major theme of this festival, as it is a reflection of the fertility of the earth at this time of year.  Maypoles, which are phallic symbols, are wrapped in ribbons through a weaving dance on this day.

Purification is another theme of this festival, and the fires associated with it. Saining, the process of ritually purifing something by exposing it to open flame, was common during this time in the form magnificent bonfires that are lept for luck, prosperity, and fertility.  Saining also takes place with the livestock, which was traditionally driven between two bonfires to bless and protect them.

The bonfires hold the secondary role of "burning away" the last remenants of winter, that summer may come in.  The old English round "Sumer Is Icumen In" is often sung with this in mind as the bonfires blaze high.

    Sumer is Icumen in,
    Loudly sing, cuckoo!
    Grows the seed and blows the mead,
    And springs the wood anew;
    Sing, cuckoo!
    Ewe bleats harshly after lamb,
    Cows after calves make moo;
    Bullock stamps and deer champs,
    Now shrilly sing, cuckoo!
    Cuckoo, cuckoo
    Wild bird are you;
    Be never still, cuckoo!


Also on this day are parades with mummers in traditional roles such as the 'obby 'oss, the May Queen, and the Puck.  The May Queen is chosen each year from the Maidens of the area to represent the Goddess in her youthful springtime aspect.

May bushes are decorated with eggs, ribbons, and garlands.  These May bushes were usually the hawthorn, which blooms in May, and which is famously collected when "going a maying".  May bushes gave way to may boughs, which are also of hawthorn.  Usually bringing hawthorn indoors is considered bad luck, but it is worse luck to not "bring in the may" on this day!

Bannocks, which are fire-cooked oat cakes, are made an eaten in celebration of Beltane.  These are known as belcakes.  Morwynn of House Shadow Drake writes of their own family's bannock traditions (and includes a recipe!) here: http://www.shadowdrake.com/bannock.html

In addition to the promise of spring, and prognostication, other neopagan themes common to Beltane include the transformation of the Goddess from Maiden to Lover (this is often celebrated by enactment of the Great Rite in the fields) and the wooing of the sun God. These differ according to various traditions.

The Spiral Castle Tradition

In our tradition Beltane is one of the two times of year when  we pay homage to Tubal Cain.  This is Qayin in his fiery aspect, rising in the east.  He is the Morning Star, the bringer of light and enlightenment to mankind.

The Spiral Castle is turned to face the East Gate, place of Fire, Spring has risen triumphant in our area of the country, and the Lord of the fiery forge of creation holds sway.  The Wheel is turning to the bright promise of summer once again, and there is great rejoicing.

Beltane Chant (by Rudyard Kipling):
O do not tell the priests of our arts,
for they would call it sin!
We will be in the woods all night
A-conjuring conjuring summer in.
And we bring you good news by word of mouth.
For women, cattle, and corn:
The sun is coming up from the south,
By oak and ash, and thorn!
(Continue chanting 'by oak and ash and thorn')


Correspondences

Colors: Deep green, white, red, pink, orange, violet
Herbs: Mandrake, Damania, Basil, Patchouli, Violet, Vanilla, Rose, Frankincense, Lilac
Foods: pork, beef, red fruits, wine, mead, oat and barley pancakes
Related Posts Plugin for WordPress, Blogger...