Showing posts with label september. Show all posts
Showing posts with label september. Show all posts

Thursday, October 27, 2016

September Totems: Chicken

In our tradition we divide the year not only by eight solar and agricultural holidays, but also by the Kalends. We celebrate twelve months of the year by the common calendar, plus a special thirteenth month for Samhain.  These month cycles are associated with different totemic spirits. Each month is assigned an animal, a bird (or other flying creature), and a tree. September's totems are Pig, Vine, and Chicken.

The totemic associations are as follows:

Swine (Torc/Muc) – hunt, search, nourishment, putting up a fight
Vine (Muin) – prophesy, prediction, rebirth, and omens
Chicken (Cearc) - fertility, battle, sexuality, watchfulness

September is a month of sacrifice, blood, and feasting. All of the totemic beings for this month are associated with food (vine = wine), and they have an underlying association with death and rebirth.  Their blood is the "sea of blood" that surrounds the Castle Perilous, and theirs is the blood/wine of the Holy Grail that is the treasure of this Castle.

Chicken 


Fowl have been domesticated for over 8000 years and have a long history with man as a provider of both meat and eggs. They originated in Thailand and Vietnam and were descended from a wild bird species called the red jungle fowl.

Chickens are diurnal creatures, and while the crowing of a rooster is synonymous with daybreak, any farmer will be happy to tell you that his roosters crow all day long.

Chickens are very social and have complex hierarchies within their groups. Pair bonding is unheard of,. Yet despite this abundant promiscuity, there is tremendous territoriality and rivalry between two roosters as to who gets to mate with whom. The same applies for the hens. Both hens and roosters will get quite aggressive in defending their exclusive right to mate with whomever they deem "best." These aggressive qualities can be violent in the extreme, and farmers have to take precautions to keep adult roosters away from each other, least one kill the other.

This aggression has been exploited by the sport known as "cock-fighting." Indeed, etymologically, the use of the terms "cock" and "cocky" to describe an arrogant and aggressive male -- or his penis -- is due to the proud strutting and arching confidence of the rooster.

It is no wonder that the rooster has been seen as a mythical symbol of courage throughout many civilizations in the world. The Romans associated chickens with Mars, the god of war, owing to this aggressive and territorial behavior.In Greek myth, Ares (Mars) took advantage of the rooster's watchfulness and aggression by setting him as a guard to watch over Aphrodite while she slept, that none might disturb her.

The "mother hen" is a different sort of archetype associated with this fowl. Brooding and clucking over her young, the female chicken is a significantly maternal animal, particularly associated with the fecundity of spring -- although, in fairness, hens lay eggs all year round. She is the quintessential "nesting mother," though even she has a dark and cold side. Chickens, like pigs, are known to eat practically any organic thing that is put before them. It is common practice to feed baked and ground eggshells back to the chickens who produced them. Sometimes, though, the hens start eating their own eggs (often due to accidentally puncturing one, mistakenly eating it, and then developing a habit).

Cerridwen, who is the Silver Queen of the Castle Perilous, transformed into a hen to devour Gwion Bach when he became a grain of corn to escape her.  Cerridwen later gave birth to the bard Taliesin, who was Gwion reborn.  Because Cerridwen is both the great sow and the devouring hen, these two animals are sacred to her and the month that she reigns over in our tradition.

Saturday, October 22, 2016

September Totems: Swine

In our tradition we divide the year not only by eight solar and agricultural holidays, but also by the Kalends. We celebrate twelve months of the year by the common calendar, plus a special thirteenth month for Samhain.  These month cycles are associated with different totemic spirits. Each month is assigned an animal, a bird (or other flying creature), and a tree. August's totems are Swine, Vine, and Hawk.

The totemic associations are as follows:

Swine (Torc/Muc) – hunt, search, nourishment, putting up a fight
Vine (Muin) – prophesy, prediction and omens
Hawk (Seabhac) - visions, guardianship, messenger


Boar

The Boar is as symbol of the Warrior spirit, leadership, and direction. It is wild and powerful. The Boar calls you into forest to discover a secret about yourself. The Boar has a raw power that can be very destructive, but can be channeled.

There are ritual boar paths in Wales, Cornwall, Ireland and Scotland. These paths exist in the Inner Realms, too.

The Boar’s tusks and comb are significant and are frequently mentioned in lore. Furthermore, combs and mirrors depicted beside boars in Scottish rock-carvings. This animal’s image was often used as emblem on helmets and mouthpiece of battle-horns to terrify enemies and on swords and bronze shields to protect the warrior.

It is a secretly (inwardly) feminine symbol that is connected with healing as well as destruction. In Scotland, women would give birth at the Boar Stone, with their bare feet on the stone to absorb its power. In Celtic terms, hunting and healing seen as connected.

Sow

The sow is a symbol of nourishment, as swine are a particularly potent food source. Indeed, it is said that "everything but the oink" is used as food.  Just as the sow gives life as food, so does she take life away.  Any pig farmer can attest to the practice of sows eating their own piglets after birth.  The sow is therefore symbolic of the Goddess who is death-in-life and life-in-death.

The sow is especially associated with Cerridwen, whose name is sometimes translated as "white sow", making her association with September particularly potent.

September Totems: Vine

In our tradition we divide the year not only by eight solar and agricultural holidays, but also by the Kalends. We celebrate twelve months of the year by the common calendar, plus a special thirteenth month for Samhain.  These month cycles are associated with different totemic spirits. Each month is assigned an animal, a bird (or other flying creature), and a tree. September's totems are Swine, Vine, and Hawk.

The totemic associations are as follows:

Swine (Torc/Muc) – hunt, search, nourishment, putting up a fight
Vine (Muin) – prophesy, prediction and omens
Hawk (Seabhac) - visions, guardianship, messenger


September's tree is the humble grapevine. While not actually a "tree," this sacred wood stands firmly amongst the grove of totemic trees. The fermented juice of the grape is wine, which appears in almost every Indo-European mythos at some point. From the sacred drink of the God Dionysos to the many aspects of wine in the life of Jesus, wine has played a part in most religious systems.

The vine is a symbol of prophecy and is the sacred wood of the harvest festivals, which celebrates the cutting and offering of fruits. The vine is also symbolic of the shedding of inhibitions, just as wine releases us from our everyday constraints.  The adage "In Vino Veritas", In wine truth, applies here and the vine often uncovers repressed truths and hidden information.

The vine stands for the release of prophecy, predictions and omens. Grapevines are used to make baskets, wreaths and magical tools. Wine is used in the Red Meal, or housle, and in the flying potion of our tradition.

Thursday, September 27, 2012

The Season of the Witch

From the Autumn Equinox until just after the Wild Hunt rides out around Samhain is the Season of the Witch.  People all over the United States seem to know that this is true without being told so.  The stores decorate for Halloween, reporters develop stories about local Witches, and Witches themselves feel a certain thrill in the chilly autumnal breeze that stirs something wild and magical within them.

We honor this season by flying out as much as possible during this time, in preparation for the Wild Hunt.  We also begin our Samhain season preparations, which include: changing over to black robes from white, ancestor contact, a dumb feast, pumpkin guardians, deep divination, and, of course, flying to the Sabbat.

Our friend and mentor Pythia Blackthorn, of the Classic Witchcraft Blog, has a wonderful excerpt from Ray Bradbury's Something Wicked This Way Comes that sums up the Season of the Witch beautifully:  The Autumn People:
“Beware the autumn people. … For some, autumn comes early, stays late, through life where October follows September and November touches October and then instead of December and Christ’s birth, there is no Bethlehem Star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring or revivifying summer. For these beings, fall is the only normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No, the night wind. What ticks in their head? The worm. What speaks through their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, trembles—breaks. Such are the autumn people. Beware of them.”

- Ray Bradbury, Something Wicked This Way Comes
Our totems for this time of year reflect the themes of this dark tide. The Autumn Equinox is the time we honor the early face of the Black Goddess: The Grail Queen.  We see her as the Silver Queen of Castle Perilous, whose treasure is the Holy Grail, the Cauldron of Cerridwen to which we must all return.  It is also the bloody Cup of Babalon, who collects blood offerings of sacrifice and transmutes them into magic.  Her totems are the swine, the chicken, and the grapevine, all of which offer forth their flesh and blood to feed and nourish us.  Early October's totems are those of deep wisdom: the salmon, the hazelnut, and lapwing.  These symbols of sacrifice and wisdom prepare us for our journey into the underworld to seek the heart of all magic at Samhain.  Samhain's totems are the toad, the crane, and the elder tree.  It is the time when we honor Tubal Cain in his dark aspect as the Lord of the Dead, keeper of the Quench Tank, the Deathhelm, and the West Gate.

Witches all, we hope to see you at the Sabbat, be it atop the Brocken, under the Walnut of Benevento, at the hill-top cromlech, or around the well-worn Mill Grounds.  Celebrate the coming of the Season of the Witch!

Tuesday, September 25, 2012

Autumn Equinox 2012 Photos

Autumn Equinox 2012 altar.  At this Sabbat we celebrate the Grail Queen of the Silver Castle -- Castle Perilous -- as Cerridwen-Babalon. We drink deeply of her bloody cup, and rejoice in the coming of the Season of the Witch.

Altar detail.  The lovely stone sphere is Chimera Stone (tm).  The large gold and scarlet chalice is the Cup of Babalon, used each year during the Feast of the Beast at the Babalon Rising Festival.
At the base of the altar are L-R: coven chalices, the Spiral Castle, Tubal Cain & his anvil, coven member totems, salt water, sterile lancets, and our Grimoire.
The Housle Song
To the tune of Greensleeves

To Housle now we walk the wheel
We kill tonight the blood red meal
A leftward tread of magic's mill
To feed the Gods and work our Will.

Red, red is the wine we drink
Red, red are the cords we wear
Red, red is the Blood of God
And red is the shade of the Housle.

Thursday, September 1, 2011

Meditation: Visiting the Silver Queen, Cerridwen

Our tradition uses guided meditation to help impress certain symbols on our member's consciousness. Below is our Autumn Equinox meditation. It takes place in the Castle Perilous, which is the southwest area of our compass.  It is the home of the Silver Queen, who we honor as Cerridwen.  To use this meditation let yourself relax comfortably and picture yourself drifting downward and inward to the third realm, the lower realm. The third realm is a place of darkness and mystery.  Let yourself sink down into the third realm and rest there peacefully.

Meditation: Visiting the Silver Queen, Cerridwen
Artwork by Thalia Took

You awake in a cool thicket at twilight.  You notice that beneath you is a thick clump of ivy, which you haven been using as a bed.  The trees of the thicket are in autumn array.  Their leaves are scarlet, golden, russet, and brown, but seem gray, violet, and black in the fading light of sunset.

You notice that the thicket borders a field of grapes to the west.  In the western sky is a reddish violet glow.  You hear the keen of a hawk cut clearly through the dusk.

You walk into the vineyard, plucking ripe grapes from the vines and eating them.  Although the evening is cool, the grapes have held the warmth of day and their warm tart juice seems like blood in your mouth.

You hear a rough noise from within a stand of grapevine.  Suddenly an enormous boar leaps in front of you.  It snorts violently and bears its tusks.  You turn in fear and try to escape the beast, but you are hedged in by twisted vines and tangling ivy.

The boar charges at you, flinging spittle and rolling its eyes wildly.  Its tusk catches your ankle just above the heel. Your ankle throbs in pain at the gash. The boar flails its head around, tossing you into the air.  You land astride the massive boar and in a panic grab its tusks with your fists.  The boar bucks attempting to toss you from its back, but you are firmly planted.

The boar runs westward with you upon it still clinging to its tusks.  The scent of the beast assaults your nose.  The wound in your ankle is deep.  Blood runs down the side of the boar as it rushes onward towards the setting sun.  The jostling movement of the boar, the pain of your wound, and rapid blood loss make you feel disoriented.

On the horizon you see a dark lake.  The boar continues its frenzied charge into the dark lake.  You are now riding through the lake on the back of the swimming boar.  The lake is warm and dark, like the warm dark blood that flows from your ankle.  It reflects the violet-red of the setting sky above, making it appear to be made of blood.  You realize then that this is no illusion of light. The lake itself is a lake of blood.

The bitter metallic scent of blood fills your nostrils as the boar charges onward towards an island.  On the island is a castle of dark stone.  The castle is embellished with silver and rubies, and from its turrets fly banners of crimson.  As you reach the shore of black sand, you can hear wailing from within the walls of the castle.

The boar stops at the shoreline and gives a loud snort.  You climb off of the boar carefully, nursing your wounded ankle.  The boar regards you for a moment and then rushes back into the lake of blood, leaving you behind on the dark island.  You wonder aloud what place this is, and from the shoreline comes a low and melancholy reply, “This is a place with many names.  Some call it the Grail Chapel. Others call it the Well of Souls.  I call it the Castle Perilous.  It is the home of Queen Cerridwen and her silver cup.”

You turn to see a darkly robed and hooded figure standing in a boat at the shoreline.  The boatman's face is hidden in the shadows of his hood, but he stretches forth a pale bony finger to point at the great doors of the castle.  The doors open slowly with a creaking noise, and the smell of myrrh and moss meets your nose.  You enter the castle and the doors slam shut behind you.

Sounds of dripping cave water and distant wailing fill the air.  You shudder to find that what you thought were rubies studding the walls are actually drops of blood, so that the walls appear to be bleeding.  It is damp and cold here, and the sound of your shuffling feet echo through the dark halls.  Your ankle throbs in pain from the boar's wound.  You are filled with dull and nameless despair, yet you shuffle forward.

At the end of a long dark hall are two large silver doors covered in countless finely sculpted symbols.  Among these you notice a sow and a cauldron.  You move to touch the doors and they swing open at your gesture.

The room inside is bathed in soft silver moon light.  In it you see an aged and beautiful woman with long gray hair.  She is seated on throne of silver and she wears a dress of black.  Her eyes are the color of the stormy sea and she offers you a knowing smile.  To her right is a table with glowing silver cup upon it. The light of the room seems to be coming from this cup.  To her left is a large iron cauldron adorned with a silver ivy and vine design.  “I am called Cerridwen” she says.  Her voice is a deep and rhythmic like the pounding of waves against the shore.  You can taste salt in your mouth when she speaks.  The scent of myrrh and cypress fills your nostrils.  Your entire being is infused with rushing coolness and you feel slightly dizzy.

She nods at you and gestures to the silver cup to her right.  “This is the treasure of Castle Perilous.”  At her words the cup floats from the altar towards you.   It rests against your lips and tips its vintage into your mouth.  You drink deep of its contents.  You can feel the wound in your ankle knitting closed, and all other pains and illnesses being cured and healed within you.  Power seems to vibrate from the base of your spine up through the crown of your head.  You tremble at the sensation of vitality and power that has infused your being.

Cerridwen fixes her gaze upon you and leans forward from her throne.  Her eyes are like sacred wells.  You feel that you may faint from the overwhelming flood of power in and around you. “I have a message for you,” she says.  She takes the cup from your lips and whispers her secret message in your ear. [long pause]

Cerridwen bids you farewell and touches your forehead.  You shiver at the cool dampness of her touch.  The cauldron beside her begins to boil.  You take your leave of the room hastily, disoriented by the power still coursing through you.

The hall is dank and still filled with distant wailing, but you understand now that it is not just the wailing of despair and sacrifice, but also of labor and infancy.  On the black shore the boatman waits with an outstretched bony hand.  You reach into your crane skin bag and retrieve a silver coin.  On its face is the profile of Cerridwen.  On its reverse is a boar leaping from a cauldron.  You place the coin into the boatman's skeletal hand and climb into the boat.

The boatman pushes off and begins to row you back through the dark lake of blood.  A hawk cries out as it circles over the barge. At the shore you can easily find the path that the boar created when it violently carried you off earlier.  You trace the path back through the vineyard and into the autumn thicket where you began.  There in the thicket is the patch of ivy you had made into your bed.  You lay down on the ivy and rest.
Related Posts Plugin for WordPress, Blogger...